Showing posts with label Clarence Muse. Show all posts
Showing posts with label Clarence Muse. Show all posts

Saturday, May 31, 2014

Movie of the Week: Broken Strings (1940) - Review



Broken Strings (1940) was the featured film for the week of May 19th-26th.

************

*Epilepsy Warning
Use of animated GIF images near bottom*

************




"After noted violinist Arthur Williams (Clarence Muse) suffers a hand injury which ends his playing career, his hopes are transferred to his son (Johnny, played by William Washington), who prefers swing music to classical." [IMDb]


************

Oh, the many race movies I've watched and thought "all it needed was a bigger budget..." This was the case with Broken Strings. The story wasn't new: classic/classical music lover hates the more popular music of the time; child wants to play that popular music. But different elements, such as, the instrument used (violin), secondary stories, and I'll say it--an all-black cast--gives the movie a special spin.


************

Story/Writing

Again, the storyline was simple, not exactly something fresh and new to the screen (a film with a similar storyline I can remember off the bat is 1938's Everybody Sing). However, the secondary storylines are what really "make" this movie--especially the ones that formulate after Arthur's hand injury. There's stubbornness, disobedience, jealousy, framing, deceitfulness, and even with all of this, the movie manages to not turn into something you'd see in a Murder-Mystery Dinner show. 

Nobody gets murdered, by the way.


Of course, all of those elements and additional storylines would require more time--and Broken Strings didn't have that, which serves as a negative for the film. Everything is rushed and jam-packed to this 60 minute movie, leaving very little time to let things cook before they're uncovered! Very unfortunate.



Characters/Acting

There wasn't one character that this film could have done without. Every major character had a purpose. As far as the acting goes, I'm going to come right on out and say that the only good actors in this movie were the more trained and seasoned ones--Clarence Muse, Matthew "Stymie" Beard (as Dickie Morley, a young, aspiring, but pompous violinist), and Edward Thompson (who is barely even in the movie). 


Young "Stymie" Beard

Everyone else...William Washington, Sybil Lewis (as Arthur's daughter, Gracie), Tommie Moore (as young pianist, Mary)...they all needed a little work. 


************

Honorary Mentions

It's always a treat to see Ms. Ruby Dandridge, who plays a small, but memorable role. Ironically, when Ms. Dandridge first came to Hollywood with her daughters in the early 1930s, she sought counsel from Mr. Muse on getting her daughters (Vivian and Dorothy) into movies. 

************

If you look very closely in one of the nightclub scenes (in fact, you don't even have to look closely, her face is unmistakable), you'll see the late Juanita Moore sitting down from a dance.

************

The Stevens Sisters

These talented little ones appear near the end of the film. I made animated GIF photos of them!



(Left to right): Charmaine, Cecile, Leonetti

The girls are singing a song called "Kentucky Babe"

Charmaine and Leonetti tap dancing

Little Cecile tap dancing


*I wonder where The Stevens Sisters are today?*



************

Directing/Cinematography

For the most part, Broken Strings was simply shot, but there were some cool effects added to keep the audience's interest--some Busby Berkeley-like kaleidoscope effects, tilted camera movements, faded images in the background--all things used to give the movie a "fantasy" feel. They also helped to create the sense that time was flying by (as if the movie needed any more of that). They didn't go overboard with these effects, either.


************

Overall Thoughts

I highly recommend that you watch Broken Strings. Bad acting aside, it is very entertaining. In fact, it ranks pretty high on my list of great race movies.


*Broken Strings (1940) on YouTube*
(Animated GIF images created from ^this^ link)

Monday, September 30, 2013

That's Old News! (A Monthly Segment)



Thank you for dropping by to read the first post of People of Color in Classic Film's newest segment, "That's Old News!". Below is a collection of five news stories from past Septembers.


************


"Bill (Bojangles) Robinson Dances in "Brown Buddies" at Ford This Week"

(The Baltimore Afro-American--September 27, 1930)



By Carl Van Vechten

With his 30 years of experience, Mr. Bojangles outshines his co-stars in the musical-comedy stage show, Brown Buddies. Read more...


************


"Anna May Wong's Start Wasn't Very Auspicious"

(The Milwaukee Journal--Thursday, September 24, 1931)




Piccadilly star, Anna May Wong recounts her journey to and through Hollywood with The Milwaukee Journal. She also shares a beauty secret of hers! Read more here...


************


"A Talk with Nina Mae McKinney"

(The Age--Saturday, September 25, 1937)




Bright-eyed beauty, Nina Mae McKinney talks stage fright, Hollywood, and the late Jean Harlow in this article from the Australian newspaper, The Age. Click here to read the article.


************


"Story of Clarence Muse: From stage and first talkies to television"

(The Washington Afro-American--Tuesday, September 1, 1953)

From Fanpix (.net)


Clarence Muse recounts his entertainment career with The Washington Afro-American and also gives some advice to the up-and-coming Black actors. Read about it here...


************


*Warning: The following article is a report on death*


************


"Dorothy Dandridge Found Dead in Her Apartment"


(The Palm Beach Post--Thursday, September 9, 1965)

From Fanpix (.net)


The Palm Beach Post sadly reports the news that actress and singer Dorothy Dandridge passed away in her Sunset Strip home at the age of 41*. Read more about it here.


(*Dorothy Dandridge was 42 when she passed, not 41)


************


Links to these newspaper articles were used for educational purposes only.

Unless stated otherwise, all of the above photos were obtained from Wikipedia. If the rightful owner(s) of any of these images wish to have them removed, please contact me and I will do so immediately.





Wednesday, February 20, 2013

Clarence Muse, Man of Principles





Not only did the great Clarence Muse blaze trails for African-Americans in front of the camera, but he also fought to make some changes behind the camera. 


"He [Clarence Muse] spoke out early against the use of the word ‘n***er’ on movie sets to describe a device used to dim lights. Eugene Jackson recalled the day at Fox Studios when Muse heard a technician say “Bring that n***er over here.” Both shocked and angered, the actor immediately spoke to the director, who explained what the term meant. But that didn’t satisfy Muse. Finally, according to Jackson, production that day was closed down. “Clarence, being a man of high principles and standards, would not back down,” said Jackson. “He stuck to his guns, his beliefs, until a change was made. I was merely a youth, but I was taught something that day that has stayed with me all of my life: if you know and believe in your heart that something must be changed, act on it."




I enjoy reading stories like this about great pioneers like Mr. Muse. Certainly a fine example for any African-American entering the world of Hollywood.



Sources

Bogle, Donald. Bright Boulevards, Bold Dreams: The Story of Black Hollywood. New York: The Random House Publishing Group: 2005. Print. 


Photo Two: A Cinema Apart