Halloween with Aige

If you're like me and you don't particularly go out on Halloween, perhaps you could join me on Watch2Gether for a classic Horror movie marathon?

On Halloween night, I will be watching: The Devil's Daughter (1939), Son of Ingagi (1940), and Song at Midnight (1937). It's all happening on October 31st, beginning at 6PM EST. Will you join me?

Watch2Gether username: poccf_aige

Signers of Contracts: Bert, Madame, Ernie, & Nina

There's a lot of conflicting information about who was the first African-American to sign a Hollywood contract, who was the first to sign a long-term contract, etc.--but based on my own little research, I've come to the conclusion that the following people were more than likely the true first "signers" of certain Hollywood contracts.

In 1915, the Biograph Company gave entertainer Bert Williams the power to produce, write, direct, and star in two films for them--A Natural Born Gambler (1916) and Fish (1916). 

I couldn't find information specifically stating that Williams had signed any contract with Biograph, but nonetheless, Williams being granted that kind of power in early twentieth-century Hollywood is a distinguishing feat alone. 

I feel certain that some paperwork had to have been been made out between Mr. Williams and Biograph.


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Born Nellie Crawford in Louisville, Kentucky, Madame Sul-Te-Wan is recognized as the first African-American performer to sign a contract in Hollywood and be a featured performer (meaning, she actually had some dialogue) as well. 

Her first role was as a hotel cook in the 1915 short The Cause of It All. Her second (and most acknowledged) role was as "Dr. Cameron's Taunter" in the controversial D.W. Griffith film, The Birth of a Nation. 

Madame Sul-Te-Wan worked in over 50 Hollywood films.

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When Ernie "Sunshine Sammy" Morrison signed with comedy producer Hal Roach in 1919, he became the first African-American to sign a long-term contract in Hollywood--and get this: He was only six years old. 

"Sunshine Sammy" would become most popular as one of the original Our Gang kids and as the only black member of the East Side Kids.

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After rave reviews for her debut in 1929's Hallelujah!, Nina Mae McKinney signed a five-year contract with MGM, making her the first African-American woman to sign a long-term contract in Hollywood.

Sadly, like a lot of black actresses of the time, even a long-term contract couldn't secure the roles that Nina Mae wanted. She would find sweeter success in parts of Europe as a cabaret entertainer. 

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A Natural Born Gambler (1916)

Starring Bert Williams

(Warning: Offensive racial stereotypes and use of blackface)

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Madame Sul-Te-Wan as "Tituba" in Maid of Salem (1937)

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The Dippy Dentist (1920)

Starring Snub Pollard and "Sunshine Sammy" Morrison

(Go to 2:28 to see "Sunshine Sammy")

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Pie, Pie Blackbird (1932)

(Musical Short)

Starring Nina Mae McKinney, 

Eubie Blake & His Orchestra, & The Nicholas Brothers

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Oscar Micheaux--Pioneering Filmmaker

January 2nd marked the 129th anniversary of Oscar Micheaux's birth in Metropolis, Illinois. 

Micheaux was the most successful black-American filmmaker of the early half of the twentieth century. While other black filmmakers of the time were unable to produce as many films as they would have liked to, Oscar Micheaux produced 38 and/or directed 42--his second film went on to become his most popular to date. 

This week, in honor of Mr. Micheaux, I will be watching some of his movies and posting reviews.

I will also be posting reviews on the IMDb website, because I believe some of the reviewers of Micheaux movies weren't as informed and as they could have/should have been and therefore came off very biased and unfairly critical. 

In the meantime, Click Here to watch a short, informative video about Mr. Micheaux. 

Evelyn Preer, Leading Lady

While Nina Mae McKinney is considered the first Black Leading Lady of Hollywood, Evelyn Preer is considered the "First [Black] Lady of the Screen"--period. 

She worked mainly in Oscar Micheaux films and is probably best remembered for her role as Sylvia Landry in the great Micheaux film, Within Our Gates (1920).

Mrs. Preer had a hard time finding work in Hollywood and on Broadway because she was considered "too light" to play black women. 

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Evelyn Preer was also a blues singer!

Listen to her song below; titled "It Takes a Good Woman to Keep a Good Man at Home".