Showing posts with label Japanese Cinema. Show all posts
Showing posts with label Japanese Cinema. Show all posts

Thursday, April 25, 2013

Akira Kurosawa.


"When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this which I take and work with. My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something. It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit."

That was a lovely quote by the late, great filmmaker Akira Kurosawa--the kind of person who doesn't need anything more than his name in a blog post title. 


From Wikipedia



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Biography via Main Website

The most well-known of all Japanese directors, the great irony about Akira Kurosawa's career is that he is far more popular outside of Japan than he is in Japan. The son of an army officer, Kurosawa studied art before gravitating to film as a means of supporting himself. He served seven years as an assistant to director Kajiro Yamamoto before he began his own directorial career with Sanshiro Sugata (1943), a film about the 19th-century struggle for supremacy between adherents of judo and ju-jitsu that so impressed the military government, he was prevailed upon to make a sequel (Sanshiro Sugata Part II).
       Following the end of World War II, Kurosawa's career gathered speed with a series of films that cut across all genres, from crime thrillers to period dramas -- among the latter, his Rashomon (1951) became the first postwar Japanese film to find wide favor with Western audiences, and simultaneously introduced leading man Toshiro Mifune to Western viewers. It was Kurosawa's The Seven Samurai (1954), however, that made the largest impact of any of his movies outside of Japan. Although heavily cut on its original release, this three-hour-plus medieval action drama, shot with painstaking attention to both dramatic and period detail, became one of the most popular of Japanese films of all time in the West, and every subsequent Kurosawa film has been released in the U.S. in some form, even if many -- most notably The Hidden Fortress (1958) -- were cut down in length. At the same time, American and European filmmakers began taking a serious look at Kurosawa's movies as a source of plot material for their own work -- Rashomon was remade as The Outrage, in a western setting, while Yojimbo was remade by Sergio Leone as A Fistful of Dollars (1964). The Seven Samurai (1954) fared best of all, serving as the basis for John Sturges' The Magnificent Seven (which had been the original title of Kurosawa's movie), in 1960; the remake actually did better business in Japan than the original film did. In the early 1980s, an unfilmed screenplay of Kurosawa's also served as the basis for Runaway Train (1985), a popular action thriller.
       Kurosawa's movies subsequent to his period thriller Sanjuro (1962) abandoned the action format in favor of more esoteric and serious drama, including his epic length medical melodrama Red Beard (1965). In recent years, despite ill-health and the problems getting financing for his more ambitious films, Kurosawa has remained the most prominent of Japanese filmmakers. With his Westernized style, Kurosawa has always found a wider audience and more financing opportunities in Europe and America than he has in his own country. A sensitive romantic at heart, with a sentimental streak that occasionally rises forcefully to the surface of his movies, his work probably resembles that of John Ford more closely than it does any of his fellow Japanese filmmakers.  

--Bruce Eder, All Movie Guide

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Check out this clip of Akira Kurosawa being presented with an Honorary Academy Award in 1990:





Steven Spielberg and George Lucas are two of the many filmmakers who've been greatly influenced by Mr. Kurosawa's work.

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Mr. Kurosawa has a great number of credits in numerous departments of Film--Writing, Directing, Producing, Editing--everything that his hands touched turned into timeless works of art.


Theatrical release poster for Yojimbo (1961)


In 2009, "AK 100: 25 Films by Akira Kurosawa" was released as a part of The Criterion Collection--I'm assuming the title is in honor of what would have been Mr. Kurosawa's 100th birthday the next year. The set is now unavailable on the Criterion Collection site, but is available on Amazon and possibly Ebay. 





Of course, you can also purchase individual DVDs online. Some of his more popular films are: Rashomon (1950), Ikiru (1952), Seven Samurai (1954), Yojimbo (1961), and Ran (1985).


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All of the images above were obtained from Wikipedia and were used for informational purposes only. If the rightful owner(s) of any of these photos wishes to have them removed, please contact me (Adrienne), and I will do so immediately.













Monday, February 11, 2013

47 Years of Sessue & Tsuru




(Photo from thebioscope.net)


Fellow Japanese actors Sessue Hayakawa and Tsuru Aoki married on May 1, 1914--weeks before the release of their critically acclaimed film together The Wrath of the Gods. They would star in numerous films together (more than twenty). 


The two lived happily in Europe with their three children until Tsuru passed away in 1961.

Mr. and Mrs. Hayakawa were married for 47 years.


Wednesday, September 12, 2012

Wednesday Spotlight: Chikara to Onna no Yo no Naka


This Wednesday, the spotlight is on the 1933 anime short film Chikara to Onna no Yo no Naka ("The World of Power and Women").



This short film is also the first Japanese anime of any type to feature voiceovers. 

Unfortunately, this treasure is now considered a "lost film". 

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Plot Summary

Chikara to Onna no Yo no Naka is the story of a father of four who is constantly abused in his own home. He is also unhappy with his wife and soon begins an affair with a cute typist.


For more information on this landmark film.